For the final chapter in its triptych dedicated to Paris, Études takes to the capital’s rooftops. After investigating the city’s epicenter and periphery, the brand continues its meta-urban exploration by anchoring itself above the city limits. This season, Études deploys a new space-time, a radical way of experiencing reality. In these zinc mazes, time is suspended, almost stretched out. Space is liberated, and clandestinity encourages distancing from everyday life. It’s in the fading light of the “CRÉPUSCULE” — giving its name to the Spring Summer 2024 collection — that it’s easiest to access Parisian rooftop: when the light fades, and silhouettes transform into shadows. The feeling of lightness is infused with a shot of adrenalin, the senses are over-stimulated, and the present is conjured up. At the height of Paris, we see before we are seen, we observe without being observed.

Études — Artist collaboration with Julian Farade — Styling: Georgia Pendlebury — Casting: Jane Morineau — Music: The Hacker — Shoes: Keen and La Botte Gardiane — Hair & Make up Yuji Okuda& Satoko WATANABE — Photography & Video: Adam Katz Sinding - Flora Aussant - Luca Tombolini — Film: Studio Premices — Jewelry: Transe Paris — Tattoos: Marie Dufresne — PR: Radical Pr — Production: Back of the house

For the final chapter in its triptych dedicated to Paris, Études takes to the capital’s rooftops. After investigating the city’s epicenter and periphery, the brand continues its meta-urban exploration by anchoring itself above the city limits. This season, Études deploys a new space-time, a radical way of experiencing reality. In these zinc mazes, time is suspended, almost stretched out. Space is liberated, and clandestinity encourages distancing from everyday life. It’s in the fading light of the “CRÉPUSCULE” — giving its name to the Spring Summer 2024 collection — that it’s easiest to access Parisian rooftop: when the light fades, and silhouettes transform into shadows. The feeling of lightness is infused with a shot of adrenalin, the senses are over-stimulated, and the present is conjured up. At the height of Paris, we see before we are seen, we observe without being observed.

Études — Artist collaboration with Julian Farade — Styling: Georgia Pendlebury — Casting: Jane Morineau — Music: The Hacker — Shoes: Keen and La Botte Gardiane — Hair & Make up Yuji Okuda& Satoko WATANABE — Photography & Video: Adam Katz Sinding - Flora Aussant - Luca Tombolini — Film: Studio Premices — Jewelry: Transe Paris — Tattoos: Marie Dufresne — PR: Radical Pr — Production: Back of the house